Gradisil is a novel of undeniable ambition. Adam Roberts has constructed a cast of complex, difficult characters and worked them into a dense plot that curls and twists itself around a set of intricate and challenging ideas. From one angle it is a novel about politics, from another it is a generational novel about a […]
On page 41 of Beautiful Monsters, David McIntee’s book on the Alien and Predator franchises, the author claims that Ridley Scott’s Alien is not a science fiction movie because: “Science fiction is about humanity, and how it might develop under other, usually future circumstances. It asks, will we be better or worse?”
In the introduction to The Pocket Essential Science Fiction Films, John Costello mentions one of my favourite books about sf films, Bill Warren’s Keep Watching The Skies. I have shelves full of film encyclopaedias that have been rendered more-or-less redundant by the Internet Movie Database (www.imdb.com), but Warren’s book is one I return to often.
20 Million Miles From Earth (1957) would be just one more instantly forgettable 50s b-movie if it wasn’t for the wonderfully engaging model work of special effects genius, Harry Harryhausen.
Television drama rarely specialises in big ideas. Amongst the comfortably circumscribed crises that litter soaps, medical dramas and police procedurals there is little room for questions about religion, identity or politics.
The real strength of the current incarnation of Battlestar Galactica (BSG) has been its ability to use its futuristic setting and the basic conflict humans and machines to place its characters in realistic, morally complex and ethically challenging situations. Its great achievement has been to create a set of multi-faceted characters who retain the audience’s […]
For the first time, watching In The Shadow Of The Moon, I came to understand why some people are so convinced that the Apollo landings were a giant hoax. Looking back on it from our more fearful times the whole Apollo project seems like an impossible dream. We have moved so far from the mindset […]
In a recent review of Heroes in The Times, Kevin Maher argued that it was a sign of the fundamental decline of American politics that superheroes were being used to address serious political issues. Can superheroes do politics? Does the very act of dressing serious issues in spandex and transplanting them into an artform that […]
One of the most common criticisms I’ve heard levelled against The Science of Sleep is that it is a “slight” film – that in it simplicity, wit and even innocence, somehow Michel Gondry’s new film fails to be serious enough. It isn’t intellectual. It isn’t grown-up.
I have a feeling that if I knew anything at all about the Mayan people that I would probably be deeply, deeply annoyed by Mel Gibson’s Apocalypto. It has the feeling of authenticity – from the idyllic jungle village to the fantastically realised city through to the subtitled language – there has been a great […]