Category: Film Review

  • KOSMOS AT THE BFI: SOVIET HISTORY THROUGH AN SF LENS

    KOSMOS AT THE BFI: SOVIET HISTORY THROUGH AN SF LENS

    It is a cliché to argue that science fiction is never about the future but always about the time in which it is made. Yet, as with many a cliché, there is often a nugget of truth beneath the grimy accumulation of lazy associations. So it was hard to watch the range of films that […]

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  • SCI FI LONDON 2011

    Includes reviews of Dinoshark (2010), Sharktopus (2010), One Hundred Mornings (2009), Zenith (2010), Gantz (2011) and Super (2010) [p5-6] I love B-movies. That’s why, while most of the rest of the country was sitting down to ogle the frocks and sigh at kisses on a balcony on royal wedding day, I was in a dark […]

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  • IN THE SHADOW OF THE MOON

    IN THE SHADOW OF THE MOON

    For the first time, watching In The Shadow Of The Moon, I came to understand why some people are so convinced that the Apollo landings were a giant hoax. Looking back on it from our more fearful times the whole Apollo project seems like an impossible dream. We have moved so far from the mindset […]

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  • THE SCIENCE OF SLEEP

    THE SCIENCE OF SLEEP

    One of the most common criticisms I’ve heard levelled against The Science of Sleep is that it is a “slight” film – that in it simplicity, wit and even innocence, somehow Michel Gondry’s new film fails to be serious enough. It isn’t intellectual. It isn’t grown-up.

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  • APOCALYPTO

    APOCALYPTO

    I have a feeling that if I knew anything at all about the Mayan people that I would probably be deeply, deeply annoyed by Mel Gibson’s Apocalypto. It has the feeling of authenticity – from the idyllic jungle village to the fantastically realised city through to the subtitled language – there has been a great […]

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  • PAN’S LABYRINTH

    PAN’S LABYRINTH

    Pan’s Labyrinth is a visually stunning film. The extraordinary imaginations of director del Toro and cinematographer Navarro have created a truly spectacular fantasy land full of images that will live with the viewer long after they have left the cinema. But there is far more on offer here than eye candy. As well as being […]

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  • THE PRESTIGE

    THE PRESTIGE

    One of the major themes running through Christopher Nolan’s adaptation of The Prestige is that many things in life (magic tricks, rivalry, love) retain their appeal only so long as there remains mystery about their inner workings. Knowing the secret of a trick renders it mundane.

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  • WARS OF THE WORLD

    WARS OF THE WORLD

    Typical, isn’t it? You wait nearly fifty years for another movie adaptation of The War of the Worlds, and then three turn up at once. This year has seen the release of two straight-to-DVD versions of the story, The War of the Worlds (Pendragon Productions/Timothy Hines) and HG Wells’ War of the Worlds (The Asylum/David […]

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  • V FOR VENDETTA

    V FOR VENDETTA

    Let’s start with the obvious, whether Alan Moore’s name is attached to this movie or not, V for Vendetta is about the most reverential adaptation of a book that any author could reasonably wish for. There are flaws, serious flaws in fact, which I’ll come to in a moment, but in terms of respect for […]

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  • TIDELAND/THE WICKER MAN

    TIDELAND/THE WICKER MAN

    Sometimes you watch a film and you can’t help wondering what the director was thinking when they made it. A major movie is a huge collaborative effort and the director is the captain of the ship. Everyone looks to them for a sign that they’re all sailing on the right course, that everything is working […]

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