If you are going to build an enormously destructive weapon, then please follow the rules laid out in The Mouse That Roared. Make it warble alarmingly when it moves, place an alarm clock inside it to scare people and make it small enough to throw around a papier-mâché dungeon.
Adventure! Mysterious lands! Dinosaurs! Huge, impressive beards! The Lost World might be nearly 80 years old, but this movie has it all. It even has Arthur Conan Doyle. And he’s typing!
Surely nothing could be worse than waking up to discover that nuclear war has brought an end to civilisation as we know it? In Day the World Ended Samuel Z Arkoff and Roger Corman set out to prove that nuclear armageddon is just the amuse bouche in the menu of terror. Quake before horribly deformed […]
Space Fury (2000) (AKA In the Dead of Space, don’t let Hollywood trick you, if you’re going to watch this crap make sure you’re doing it on purpose) is proof that all you need to make bad movies are an inept cast, terrible script and a pocketful of hope. Live the dream! Martin McGrath refuses […]
Karen has to travel back in time to stop a killer, but instead things get worse. Karen has to travel back in time to stop a killer, but instead things get even worse Karen has to travel back in time to stop a killer, but instead things go absolutely apeshit. Karen…
In 1988 Killer Klowns From Outer-Space cost two million dollars (about ten million dollars in today’s terms – or £12.58 given the current exchange rate). Martin McGrath discovers that the amount of money wasted is the both the funniest and scariest things about the film.
Crossworlds is the story of a young man who discovers that his father came from another dimension and that he is the key to mysterious crystal that could end a war. It may well be the most exciting science fiction film ever made. I mean it might be. I couldn’t actually tell you.
This is an unusual issue of Albedo One as the Irish magazine devotes the majority of its space to the six stories shortlisted for the inaugural Aeon Prize – a short-fiction competition organised by the people behind Albedo One and awarded at last year’s Worldcon in Glasgow.
For a reader who hasn’t been down these paths in a long time the first question was whether the strange odour in the air when opening the pages of the latest issue of Analog (Vol. CXXVII, no. 11 – November 2007) was the whiff of nostalgia or the tang of formaldehyde?
Facts are good! Facts are great! No, facts are fantastic! Aren’t they? Facts are what fans really want. With facts you can reduce everything down into neat categories that can be wrapped in laminated plastic and store for eternity. Take the thing you love, eviscerate it and pin it down so that it can never […]