Those she talked to who wanted the store to come here had hardly embraced evil. They talked about how hard things were, how they needed to shop more cheaply without spending a lot of money on petrol, how they and their relatives needed the jobs Sovo would provide. There was something of a class divide there. Those who weren’t well off tended to back the store on the basis of economic survival.
As Lizzie had seen so many times with victims, the harder your life had been, the harder it was to give yourself room for ethical choices.
(Witches of Lychford, p103)
“Victims” – remember the word “victims”.
I’m going to start with two apologies – or one apology and one partial apology. First, I apologise for starting a review with a longish quote from the book I am reviewing. I’ve always thought this is a bit lazy, but it’s no exaggeration to say that these two paragraphs made me so angry – punch walls and slap innocent bystanders angry – that I thought it was worth pulling them out and considering them in detail. And, second, I apologise, in advance for writing a review that won’t talk much about the plot, writing or anything else within the covers of Paul Cornell’s Witches Of Lychford except the way it talks about class.
Actually, I’m not really apologising for that one. Consider it more of a warning about what is to come.
I don’t imagine Paul Cornell will be bothered that I was annoyed by his book. This little novella has been very popular, warmly reviewed, award nominated and the basis for not just a sequel but also a soon-to-be-released third book. Lychford and its witches appear to becoming the foundation of an ongoing series. And Cornell writes well enough – his style is restrained and understated (English, you might even say), there’s nowhere where the writing really takes flight stylistically, but nowhere either where you’d be offended by the gratuitously stupid. If you like this sort of thing, and people evidently do, there’s no reason why you won’t like this.
In Witches of Lychford an idyllic English market town, nestled in the Cotswolds, faces an existential threat – the arrival of Sovo, a big-brand supermarket. But not just any big-brand supermarket. Sovo is, literally, the work of the devil and the only people that can stop the defiling of Lychford – this other Eden, this demi-paradise – are three women of various varieties of witchiness: old-style, new age and Church of England. Continue reading