{"id":998,"date":"2011-02-24T16:20:39","date_gmt":"2011-02-24T16:20:39","guid":{"rendered":"http:\/\/www.mmcgrath.co.uk\/?p=998"},"modified":"2014-06-24T18:14:41","modified_gmt":"2014-06-24T17:14:41","slug":"ufo-the-movie","status":"publish","type":"post","link":"http:\/\/www.mmcgrath.co.uk\/?p=998","title":{"rendered":"UFO: THE MOVIE"},"content":{"rendered":"<h3><a href=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/ufo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-1001\" title=\"ufo\" src=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/ufo.jpg\" alt=\"\" width=\"200\" height=\"287\" \/><\/a>This issue we descend further into the pits of hell to bring <em>Matrix<\/em> readers the bad and the ugly in science ficton film. Join us as we  reach a new level of terror and explore the tortured mind of troubled  auteur Roy &#8220;Chubby&#8221; Brown through his seminal 1993 masterwork\u00a0 <em>U.F.O. The Movie<\/em>.<\/h3>\n<p><!--more--><strong>This is just shit, isn\u2019t it?<\/strong><br \/>\nIt certainly challenges one\u2019s preconceptions of what is funny, but I  think it is more enlightening to view the film as a post-modern  challenge to what we call \u201cthe joke\u201d. Take the opening sequence which  features a supposedly humorous conjunction of bare arses and nuns, no  one has laughed at anything like that since the 1970s. Assuming, as we  must, that a modern performer will be aware of the inherent inanity of  such a \u201cjoke\u201d, we are forced to conclude that this is actually a  deliberate attempt to create an inversion in our expectations, a  post-joke, post-comedic commentary on what it means to be \u201cfunny\u201d in the  post-Soviet era.<\/p>\n<p><strong>So Roy \u201cChubby\u201d Brown isn\u2019t just a leering prick?<\/strong><strong> <\/strong><br \/>\nI think it is possible to see him as forming part of the great tradition  of The Fool in motley, hence Chubby\u2019s ludicrous clothing. It is a  tradition that has passed down through the generations from the courts  of the great kings of the Dark Ages&#8230;<\/p>\n<p><strong>I think you\u2019ve mistaken an idiot for a Fool.<\/strong><br \/>\n&#8230;The Fool is perhaps best known today through Shakespearean characters such as Bottom in <em>A Midsummer Nights Dream<\/em>, Touchstone in <em>As You Like It<\/em> and, err, The Fool in <em>King Lear<\/em>&#8230;<\/p>\n<p><strong>Maybe you\u2019re on to something, none of them are funny either!<\/strong><br \/>\n&#8230; And had licence to say those things that could not be spoken by  others, Fools frequently caused offence by using bawdy language to  undermine pomposity&#8230;<\/p>\n<p><strong>But they weren\u2019t just repeating the word \u201cfuck\u201d in the hope of getting a giggle, were they?<\/strong><br \/>\n&#8230; and to challenge the powerful. Such traits may all be identified in the work of their modern-day successors, such as Chubby.<\/p>\n<p><strong>Challenging the powerful? Jokes about women being bad drivers challenge authority?<\/strong><br \/>\nWell, my theory may not be perfect.<\/p>\n<p><strong>Your theory might not be sane. How do his piss-poor song and dance routines challenge the powerful?<\/strong><br \/>\n\u201cThe Back Scuttle\u201d could be seen as a commentary on&#8230; no, you\u2019re right, it\u2019s piss-poor. It\u2019s fucking awful.<\/p>\n<p><strong>And I suppose the cunning plot in which Chubby is kidnapped  by leather-clad feminists from the future who he \u201csatisfies\u201d with his  enormous sexual prowess is actually a commentary on the&#8230;<\/strong><br \/>\nStop you\u2019ve made your point!<\/p>\n<p><strong>And the gratuitous nudity is?<\/strong><br \/>\nSigh&#8230; a sad attempt to sell the film to compulsive masturbators and  teenage boys. Actually, as the second group is a subset of the first,  let\u2019s leave it at compulsive masturbators.<\/p>\n<p><strong>So is there anything good about this movie?<\/strong><br \/>\nThe brief snippit of Gloria Gaynor\u2019s<em> I Will Survive<\/em>\u201d is a rare moment of quality in an otherwise endless sea of shite.<\/p>\n<p><strong>Thirty seconds of decent music, is that all?<\/strong><br \/>\nWell, it\u2019s only 75 minutes long.<\/p>\n<p><strong>Does <em>UFO: The Movie<\/em> hold a lesson for fandom?<\/strong><br \/>\nWe should learn that believing that what women really want is the  leering, pawing attentions of a sweaty, unfunny fat bloke with awful  dress sense probably isn\u2019t funny anymore.<\/p>\n<p><strong>Tread carefully, for you tread on my dreams.<\/strong><br \/>\nWanker.<\/p>\n<h5 style=\"text-align: right;\">(Originally published in <em>Matrix <\/em>176, Sept\/Oct 2005)<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>This issue we descend further into the pits of hell to bring Matrix readers the bad and the ugly in science ficton film. Join us as we reach a new level of terror and explore the tortured mind of troubled auteur Roy &#8220;Chubby&#8221; Brown through his seminal 1993 masterwork\u00a0 U.F.O. The Movie.<\/p>\n","protected":false},"author":3,"featured_media":1001,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[8,10,16],"tags":[51,76,43,46,88],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/ufo.jpg","jetpack_shortlink":"https:\/\/wp.me\/p27AP7-g6","_links":{"self":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/998"}],"collection":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=998"}],"version-history":[{"count":5,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/998\/revisions"}],"predecessor-version":[{"id":1760,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/998\/revisions\/1760"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/media\/1001"}],"wp:attachment":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=998"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}