{"id":661,"date":"2011-02-20T17:49:37","date_gmt":"2011-02-20T17:49:37","guid":{"rendered":"http:\/\/www.mmcgrath.co.uk\/?p=661"},"modified":"2014-06-24T18:19:25","modified_gmt":"2014-06-24T17:19:25","slug":"serenity","status":"publish","type":"post","link":"http:\/\/www.mmcgrath.co.uk\/?p=661","title":{"rendered":"SERENITY"},"content":{"rendered":"<h3><a href=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/serenityt.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-662\" title=\"serenityt\" src=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/serenityt.jpg\" alt=\"\" width=\"300\" height=\"221\" \/><\/a>At the end of <em>Serenity<\/em>, ship\u2019s captain Mal (Fillion) has a  little speech about the first rule of flying a spaceship \u2013 \u201cit ain\u2019t all  buttons and charts\u201d he says, but \u201clove that keeps her in the air when  she ought to fall down.\u201d Writer\/director Whedon is surely addressing the  legions of \u201cbrowncoats\u201d \u2013 the diehard <em>Firefly<\/em> fans whose dedication brought the story of the crew of <em>Serenity<\/em> back from the dead when Fox mishandled and then prematurely cancelled the original show.<\/h3>\n<p><!--more-->Love (and phenomenal DVD sales) kept the story of <em>Firefly<\/em> alive when it should have died, the only question now is: was <em>Serenity<\/em> worth the effort?<\/p>\n<p>The answer is yes, unequivocally. <em>Serenity<\/em> is by no means perfect but it is hugely entertaining.<\/p>\n<p>Whedon strikes a sensible balance between filling in back-story for  those unfamiliar with the original series and moving things along fast  enough for fans. Inevitably, perhaps, the first half of the film is a  little exposition-heavy as the large cast is introduced and complex  history explained. That <em>Serenity <\/em>doesn\u2019t become bogged down is due to Whedon\u2019s trademark fizzy dialogue and tight plotting.<\/p>\n<p>In the second half <em>Serenity<\/em> really comes to life. Big action  sequences, dramatic tension and well developed character relationships  all pay off handsomely to deliver a taut, traumatic and triumphant final  hour. The result is a film that outdoes the great majority of  blockbusters in terms of action and excitement and that easily outpaces  them in intelligence and wit.<\/p>\n<p>The story focuses on River (Glau), the precocious but damaged fugitive smuggled aboard <em>Serenity<\/em> by her brother Simon (Maher). The Alliance, concerned at the secrets  this, apparently fragile, telepathic girl might know send an operative  (Ejiofor) \u2013 a cold-blooded killer \u2013 to capture or kill her. As River is  revealed as more than she seems and the operative hunts down the crew\u2019s  few friends, River\u2019s memories begin to surface. These lead the crew of  the Serenity into a close brush with the rampant, flesh-eating madness  of the Reavers via a dead planet to a final showdown with the Alliance.<\/p>\n<p>Whedon is playing to his strengths here with a large ensemble cast  sharing quick, often very funny banter that hints at deeper emotion.  Love is, as always, difficult, with no one quite able to say what they  really mean until it appears too late. Whedon has never been afraid to  explore darker elements in his story and those familiar with his writing  on <em>Buffy<\/em> and <em>Angel<\/em> will not be surprised that not all the characters in <em>Serenity<\/em> get out in one piece. For fans, this can be painful \u2013 especially when a  favourite character becomes the focus of Whedon\u2019s baleful gaze. But it  means the viewer can never relax, even established and loved characters  can be sacrificed. Whedon\u2019s worlds are never cosy.<\/p>\n<p>The cast, all returning to reprise their television roles, are  uniformly excellent but Fillion is a stand out. His captain, Mal  Reynolds, is the kind of swashbuckling rogue Han Solo dreams of  becoming. He has absolutely no problem with shooting first. Tough to the  point of cruelty, Fillion still manages to imbue the character with  humour and vulnerability.<\/p>\n<p>There are annoying flies in <em>Serenity\u2019s <\/em>ointment \u2013 the opening  exposition clearly states that the action takes place in a single solar  system with dozens of planets and hundreds of moons. But one planet has,  apparently, been kept \u201csecret\u201d from the whole population. Are there no  astronomers in this system? Don\u2019t all those pilots in their spaceships  notice a big ball of rock influencing their orbits? And why does  everyone seem to refer to this solar system interchangeably as both the  galaxy and the universe? It\u2019s a tiny, but irritating, point.<\/p>\n<p>More crucial to the plot is the question about what sort of  government and\/or drug company carries out its first test of a new drug  on a whole planet?<\/p>\n<p>And The Alliance and, especially, Ejiofor\u2019s operative, are simply too  implacably wicked to be truly convincing villains. Tyrants and fanatics  construct complex webs of self-justification for their actions, they do  not simply concede their intrinsically evil nature to the enemy.<\/p>\n<p>Niggles apart, <em>Serenity<\/em> is solidly realised science fiction,  as entertaining a piece of space opera as you are likely to see and has  enough depth to reward repeated viewings.<\/p>\n<h5 style=\"text-align: right;\">(Originally published in <em>Matrix<\/em> 176, Nov\/Dec 2005)<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>At the end of Serenity, ship\u2019s captain Mal (Fillion) has a little speech about the first rule of flying a spaceship \u2013 \u201cit ain\u2019t all buttons and charts\u201d he says, but \u201clove that keeps her in the air when she ought to fall down.\u201d Writer\/director Whedon is surely addressing the legions of \u201cbrowncoats\u201d \u2013 the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":662,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11,8,10],"tags":[51,76,43,46],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/serenityt.jpg","jetpack_shortlink":"https:\/\/wp.me\/s27AP7-serenity","_links":{"self":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/661"}],"collection":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=661"}],"version-history":[{"count":5,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/661\/revisions"}],"predecessor-version":[{"id":1666,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/661\/revisions\/1666"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/media\/662"}],"wp:attachment":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=661"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}