{"id":640,"date":"2011-02-20T17:19:51","date_gmt":"2011-02-20T17:19:51","guid":{"rendered":"http:\/\/www.mmcgrath.co.uk\/?p=640"},"modified":"2014-06-24T18:19:26","modified_gmt":"2014-06-24T17:19:26","slug":"grave-of-the-fireflies","status":"publish","type":"post","link":"http:\/\/www.mmcgrath.co.uk\/?p=640","title":{"rendered":"GRAVE OF THE FIREFLIES"},"content":{"rendered":"<h3><a href=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/grave.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-641\" title=\"grave\" src=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/grave.jpg\" alt=\"\" width=\"208\" height=\"298\" \/><\/a>Regularly lauded as the best anime of all time, <em>Grave of the Fireflies<\/em> (<em>Hotaro no Haka<\/em>)  now has a UK region \u201cspecial edition\u201d DVD release. US film critic Roger  Ebert has said that this film belongs on any list of top war movies and  others have compared its emotional impact to Spielberg\u2019s <em>Shindler\u2019s List<\/em>.<!--more--><\/h3>\n<p>Most films, bearing such heavy praises, would crumble under the weight of increased expectations. Does <em>Grave of the Fireflies<\/em> survive the hype?<\/p>\n<p>Absolutely. Not only does it survive, it thrives.<\/p>\n<p>One of the most heartbreaking movies ever, <em>Grave of the Fireflies<\/em> is unbearably sad \u2013 parts are almost too painful to watch.<\/p>\n<p>Set in the dying days of World War Two, <em>Grave of the Fireflies<\/em> tells the story of a teenage boy, Seita, and his baby sister Setsuko.  They live in Kobe and, as their story begins they are caught in the  middle of an air raid. American bombers are dropping incendiary bombs on  their home. The bombs flutter to earth with a strange beauty, but the  damage they do is very real, and almost at once Seita and Setsuko are  homeless and orphaned \u2013 their mother horribly burned by the bombing and  their father, a sailor in the Imperial Japanese fleet, is lost at sea.<\/p>\n<p>Seita struggles to look after his sister, while all the time refusing  to do his \u201cduty\u201d and work for the war effort. They move in with their  aunt, but she quickly sees them as nothing but a burden, begins to cheat  them of their food and as things get tougher, she\u00a0 forces them out of  her home. They find a brief respite in a deserted bomb shelter, building  a kind of idyll, but as the bombing gets worse and food gets harder to  find, Setsuko becomes sick and Seita is forced to try and steal to  provide for her.<\/p>\n<p>We know Seita\u2019s fate from the beginning \u2013 the film is presented as a  series of flashbacks introduced by the boy\u2019s ghost \u2013 though we hope,  against hope, that he will find safety for Setsuko.<\/p>\n<p>If you labour under the misapprehension that animated films are only for kids, <em>Grave of the Fireflies<\/em> will come as a shock. This may be the most assuredly adult and lyrical  anti-war statement ever committed to screen. Director Takahata makes  plain the suffering of the children but it never descends into  bitterness. This is a film without hatred, though hatred would be  understandable, but it is certainly not without passion. The emotions it  stirs &#8211; pity, compassion, fear, desperation &#8211; are all too real, indeed  they are almost too much. The film is, in places, so affecting, so  painful, that it is hard to keep staring at the screen.<\/p>\n<p>As a war film it is a curious creation, for the violence flashes past  in moments but, as in real life, the repercussions are lasting. In a  strange way the bombings are beautiful \u2013 seen at a distance the  falling  firebombs echo the fireflies that surround Setsuko, fluttering upwards  on their way to the heavens,  at every turn. <em>Grave of the Fireflies <\/em>is relatively short but it moves slowly, lingering over images of nature even as the world is being destroyed.<\/p>\n<p>The final scene, in which the ghosts of the children look out over modern Japan reduced me to blubbering sobs. <em>Grave of the Fireflies<\/em> is not a film to watch if you are trying to maintain a veneer of thick-skinned manhood.<\/p>\n<p>Based on a semi-autobiographical novel by Nosaka Akiyuki \u2013 who lived  through these events and lost his sister to starvation \u2013 it hardly seems  an obvious choice as the subject of an animated movie. Even stranger  that it should come from Studio Ghibli \u2013 perhaps best known for Hidao  Miyazaki\u2019s considerably lighter films (<em>Spirited Away<\/em> and <em>Princess Mononoke<\/em>).<\/p>\n<p>But, whatever the source, this is a powerful, moving, intelligent  film. Not the sort of animated movie you\u2019d want to sit down and watch  with children, and probably totally bewildering for those who prefer  their Japanese animation packed with giant robots, but still a truly  great movie. Sadly the extras on this \u201cspecial edition\u201d aren\u2019t worth the  space, but if you don\u2019t own this film or worse, if you haven\u2019t already  seen it, buy it now.<\/p>\n<p><em>Grave of the Fireflies<\/em> not only survives the hype, it is a  rare film that surpasses expectations. It isn\u2019t easy to watch, but it  rewards every second. It is magnificent.<\/p>\n<h5>(Originally published in Matrix 169, Sept\/Oct 2004)<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Regularly lauded as the best anime of all time, Grave of the Fireflies (Hotaro no Haka) now has a UK region \u201cspecial edition\u201d DVD release. US film critic Roger Ebert has said that this film belongs on any list of top war movies and others have compared its emotional impact to Spielberg\u2019s Shindler\u2019s List.<\/p>\n","protected":false},"author":3,"featured_media":641,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11,8,10],"tags":[51,76,79,46],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/grave.jpg","jetpack_shortlink":"https:\/\/wp.me\/p27AP7-ak","_links":{"self":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/640"}],"collection":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=640"}],"version-history":[{"count":6,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/640\/revisions"}],"predecessor-version":[{"id":1671,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/640\/revisions\/1671"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/media\/641"}],"wp:attachment":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=640"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}