{"id":507,"date":"2011-02-20T16:45:00","date_gmt":"2011-02-20T16:45:00","guid":{"rendered":"http:\/\/www.mmcgrath.co.uk\/?p=507"},"modified":"2014-06-24T18:20:30","modified_gmt":"2014-06-24T17:20:30","slug":"arts-council-must-change","status":"publish","type":"post","link":"http:\/\/www.mmcgrath.co.uk\/?p=507","title":{"rendered":"ARTS COUNCIL MUST CHANGE"},"content":{"rendered":"<h3><a href=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/youngvicx.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-614\" title=\"youngvicx\" src=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/youngvicx.jpg\" alt=\"\" width=\"333\" height=\"250\" srcset=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/youngvicx.jpg 333w, http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/youngvicx-300x225.jpg 300w\" sizes=\"(max-width: 333px) 100vw, 333px\" \/><\/a>Angry performers at Young Vic meeting condemn Arts Council England&#8217;s for its &#8220;isolated and high-handed&#8221; approach to decision-making and set out the artistic community&#8217;s demands for a more transparent and fairer funding process.<\/h3>\n<p><!--more--><\/p>\n<div>\n<p>In a packed meeting at the Young Vic Theatre, London, on 9 January  2008,  representatives from across England\u2019s theatre industry declared  they  had no confidence in the work of Arts Council England (ACE) and  rejected its  proposals to cut funding to more than 190 arts bodies from  April this  year.<\/p>\n<p>The meeting, organised by Equity, was addressed by Peter  Hewitt,  Chief Executive of ACE, but his attempts to explain the  rationale  behind the decisions taken by the funding body were rejected  by an  audience of more than 600 at the standing-room only event. The  gathered  audience included performers, creative workers and representatives   from many of those theatres facing cuts. They were particularly angry  about  the inadequate consultation period (just five weeks which  included  Christmas and New Year holidays), the secrecy with which the  proposals  had been produced and the failure of the Arts Council to make  explicit  the criteria by which some theatres had been chosen over  others.<\/p>\n<p>Addressing  the meeting, Christine Payne, General Secretary of  Equity, welcomed the  extra money the government had made available to  the Arts Council over  the next three years, but said: \u201cWe have a right  to know how that money  is being spent. We are extremely concerned about  how these decisions are  being made. Who are the judges? And what  criteria are being used? There  appears to be a distinct and perhaps  deliberate lack of involvement of  professional theatre practitioners in  the decision-making process currently  used by Arts Council England.  The process is not open, it\u2019s not  transparent, there is no dialogue  with the theatre community.\u201d<\/p>\n<p>The  meeting ended with a vote of no confidence in the way Arts  Council  England operates, moved by veteran actress Miriam Karlin and  passed  unanimously.<\/p>\n<p>Christine Payne warned the Arts Council that \u201cunless  it not only  listens to the concerns of people here today but actually  takes action  to respond to them, then the credibility of Arts Council  England could  be fundamentally and possibly irreparably damaged. We  demand a thorough  review of the process and procedures used by the Arts  Council in  reaching funding decisions.\u201d<\/p>\n<p>The Equity-organised  meeting was to prove a pivotal moment in the  campaign against the cuts.  By bringing together the scattered voices of  those who felt aggrieved at  the undue secrecy and  unfair haste in  which the funding process had been conducted, the meeting made it clear  that the concerns of the arts  community stretched far beyond those  employed by the affected companies.  It shifted the issue from a series  of local campaigns to a serious  national debate.<\/p>\n<p>\u201cI was immensely proud that Equity was able to  play this crucial  role in giving voice to the concerns of the whole arts  world,\u201d  Christine Payne told the magazine. \u201cOur profession came  together and in  the most eloquent and forceful way made it clear that we  were not  going to allow these cuts to go unchallenged.\u201d<\/p>\n<\/div>\n<div>\n<p>The coverage in the national and regional press that followed  Equity\u2019s  meeting was overwhelmingly hostile towards the decisions of  Arts Council  England. It was soon clear that some sort of climbdown by  the funding  body was inevitable. But Equity was pushing for a more  fundamental  reform of the way the Arts Council worked (see \u201cMcMaster  Sets Out  Ambitious Reform\u201d \u2013 page seven).<\/p>\n<p>\u201cEquity did not join in the  calls to demolish the Arts Council,\u201d  Martin Brown, Equity\u2019s Head of  Communication, noted. \u201cWe remain  committed to the arms-length principle  in funding the arts in this  country but we do have real concerns about  the way in which Arts  Council England works. We called for the current  funding round to be  halted and for a review of the ACE\u2019s working  practices. We want more  transparency in the way the Arts Council makes  decisions and more  involvement for those who actually work in the arts  on how the  decisions are made.\u201d<\/p>\n<p>In the wake of the Equity  campaign and the high-profile  interventions by Equity members, the  eventual announcement of the Arts  Council decision saw a number of  important theatres reprieved. Those  saved include the Northcott, the  Bush, the Bristol Old Vic, Harrogate,  the National Student Drama  Festival, Jacksons Lane, the Orange Tree,  Eastern Angles and the  Birmingham Opera Company. But there was bad news  for 185 organisations  as it was confirmed that they would get no  further support from April  this year.<\/p>\n<p>Equity has welcomed the news that some theatres and events have been  saved but has renewed its  call for fundamental changes to the way the  Arts Council operates.  Stephen Spence, Equity Assistant General  Secretary, said: \u201cOf course we  are pleased that the campaigns up and  down the country have had some  success, and our sympathy goes out to  those 185 organisations who  discovered that there will be no more  funding from the end of March. But  what is important now is that there  is fundamental change at the Arts  Council. They have become isolated  and acted in a high handed manner. They must now begin the hard work of  re-building trust between  the Arts Council and artists.\u201d<\/p>\n<p>Equity is continuing to campaign  for reform. Over the coming year  the union\u2019s campaign on theatre funding  will develop into a new  \u201cmanifesto for theatre\u201d with the goal of  developing a forward looking  policy to put UK theatre on a firm footing  and to ensure that all the  major political parties sign up to the best  possible deal for the  arts.The first part of that campaign is a major  survey of member  opinion about arts funding which you can find online at   http:\/\/neiru.notlong.com. More details on page seven.<\/p>\n<h5 style=\"text-align: right;\">(Orginally published in <em>Equity <\/em>magazine, Spring 2008)<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Angry meeting at Young Vic condemns Arts Council England&#8217;s &#8220;isolated and high-handed&#8221; approach to decision-making and sets out the artistic community&#8217;s demands for a more transparent and fairer funding process<\/p>\n","protected":false},"author":3,"featured_media":614,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[8,14],"tags":[83,5,133],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/youngvicx.jpg","jetpack_shortlink":"https:\/\/wp.me\/p27AP7-8b","_links":{"self":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/507"}],"collection":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=507"}],"version-history":[{"count":12,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/507\/revisions"}],"predecessor-version":[{"id":1680,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/507\/revisions\/1680"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/media\/614"}],"wp:attachment":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=507"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}