{"id":452,"date":"2011-02-20T16:24:14","date_gmt":"2011-02-20T16:24:14","guid":{"rendered":"http:\/\/www.mmcgrath.co.uk\/?p=452"},"modified":"2014-06-24T18:20:31","modified_gmt":"2014-06-24T17:20:31","slug":"touched-by-the-hand-of-fear","status":"publish","type":"post","link":"http:\/\/www.mmcgrath.co.uk\/?p=452","title":{"rendered":"TOUCHED BY THE HAND OF FEAR"},"content":{"rendered":"<h3><a href=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/stagefright1.gif\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-602\" title=\"stagefright\" src=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/stagefright1.gif\" alt=\"\" width=\"305\" height=\"272\" srcset=\"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/stagefright1.gif 305w, http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/stagefright1-300x267.gif 300w\" sizes=\"(max-width: 305px) 100vw, 305px\" \/><\/a>His acting career had barely begun when it was cut short by stage fright, a terror so great that he never even made it in front of the audience. But fear doesn&#8217;t have to rule your life. <strong>Martin McGrath<\/strong> looks at what can you do to fight back and how you can get help.<!--more--><\/h3>\n<p>This young thespian\u2019s career ended early. Aged about 12, the school  play  required him simply to walk on to the stage, announce that the  king was  coming, bow and stand at the back of the stage wrapped in a  scratchy  woollen blanket for five minutes.<\/p>\n<p>How hard could that be?Rehearsals had been fine. \u201cHere comes the king!\u201d he\u2019d bellowed to the empty gym hall and grinned.<\/p>\n<p>Then came the night itself.<\/p>\n<p>Was  it the lights? Was it the strange burbling and rustling sounds  coming  from the audience as they settled into their seats? Was it the  fear of  making a mistake?<\/p>\n<p>Whatever it was, come his cue the young  thespian was huddled in the  toilets determined that neither man nor  beast would drag him onto the  stage.<\/p>\n<p>The teacher had seen it all  before. \u201cHere comes the king!\u201d came the  suspiciously older voice from  off stage and the show went on.<\/p>\n<p>Ever since falling at that first  performing hurdle I\u2019ve often found  myself wondering about stage fright.  As I\u2019ve got older I\u2019ve gone on to  speak to large audiences about all  sorts of topics on a reasonably  regular basis and actually enjoyed  myself. I\u2019ve been on television and  radio and not panicked. But the idea  of dressing up and reciting lines  or playing a part on stage still  makes my palms sweat even thinking  about it.<\/p>\n<p>Writing for the  British Association for Performing Arts Medicine  (BAPAM), Dr Sanchita  Farruque offers some reassuring insight into stage  fright: \u201cIt occurs  especially, but not only, when performing for the  first time though even  well-established performers can suffer.\u201d<\/p>\n<p>At least I\u2019m not alone!<\/p>\n<p>Some  level of excitement is necessary, the doctor reckons, to help  us  deliver a good performance but it is when that excitement tips over  into  stress and the stress becomes anxiety, that stage fright begins to   manifest some of its many symptoms \u2013 sweating, a dry mouth, a racing   heartbeat, heavy breathing, dizziness, a sickness in the stomach and a   constant need for the toilet.<\/p>\n<p>\u201cThere are a few ways of trying to  reduce stage fright, but it may  never completely go away,\u201d Doctor  Farruque writes. \u201cSome people would  say that a performer needs a certain  amount of \u2018nerves\u2019 to perform  well. What this means is that, as long as  the energy feels more like  excitement than dread, then it\u2019s fine to  have a little bit of  anticipation. However, because this can be very  hard to judge, it\u2019s not  always possible to control the excitement and  stop yourself feeling  afraid.\u201dSo what steps can you take to  help you cope when stage fright  threatens to ruin your performance? In  extreme cases there are drugs  that can help \u2013 beta blockers can slow the  heart and help calm the  nerves, or tranquillisers \u2013 but these are  serious drugs with serious  side-effects, are available only on  prescription and should be used  only as a last resort. And while the  drugs may ameliorate the symptoms  in the short term, they can\u2019t solve  the problem.<\/p>\n<p>There are other, non drug-based ways of tackling stage fright that you can try first.<\/p>\n<p>One   that immediately appeals is eating foods that release the \u201chappy     hormone\u201d serotonin \u2013 bananas or dark chocolate \u2013 while keeping well     hydrated with water or non-alcoholic drinks. Sadly chocolate also     contains caffeine, so too much could send your nerves racing again.     Moderation, as it so often proves to be, is the key.<\/p>\n<p>Other treatments recommended by Doctor Farruque sound less fun, but may well be more practical.<\/p>\n<ul>\n<li>PREPARE THOROUGHLY<br \/>\nKnowing your role or act inside out and well in advance can help prevent last-minute jitters.<\/li>\n<li>START SMALL<br \/>\nBuild up to a big performance with some small-scale or less important gigs to get you ready and build your confidence.<\/li>\n<li>DISTRACT YOURSELF<br \/>\nDon\u2019t sit and fret about what\u2019s happening, find something to take your mind off the performance.<\/li>\n<li>TAKE DEEP BREATHS<br \/>\nBreathing exercises can help you manage the adrenaline flowing through your body and bring calm.<\/li>\n<li>TAKE PHYSICAL EXERCISE<br \/>\nWarm-ups can help distract you and help use up that adrenaline on something useful.<\/li>\n<li>COMPLIMENTARY THERAPIES<br \/>\nMethods  such as massage, meditation, yoga, Tai Chi, Pilates or the  Alexander  technique can all help you relax and distract you from your  anxiety.<\/li>\n<li>BITE YOUR TONGUE.<br \/>\nIf you go on stage and your mouth dries, <em><strong>gently<\/strong><\/em> bite your tongue. It will encourage saliva flow.<\/li>\n<li>COUNSELLING.<br \/>\nIf none of the above seem to help, find a counsellor or therapist with experience of treating performance anxiety.<\/li>\n<\/ul>\n<p>\u201cThere  are many different causes of stage fright and different ways  to deal  with it,\u201d Dr Farruque writes. \u201cBeing aware of and open about it  is a  good start. The more you share your fears, the less you will  suffer  alone. Get yourself the help that works for you and you should  find that  as you perform more and more, the effects of stage fright  will become  less stressful and you will be more able to cope.\u201d<\/p>\n<p>The advice may have come many decades too late to save my career as an actor, but it seems to make sense.<\/p>\n<h2>ABOUT BAPAM<\/h2>\n<p>The  British Association for Performing Arts Medicine is a unique  charity  delivering specialist health support to performing artists.<\/p>\n<ul>\n<li>We  run free, confidential health assessment clinics for  professional,  semi-pro and student performing artists. Clinics are  provided by leading  specialists in performing arts medicine who  volunteer their time.<\/li>\n<li>We hold an online directory of healthcare practitioners who have special expertise in treating performing artists.<\/li>\n<li>We have a library of health information resources for performers.<\/li>\n<\/ul>\n<p>If  you suffer from stage fright \u2013 or if you want medical advice  about any  element of your life as a performer, you can contact BAPAM on  0845 602  0235, email <a href=\"mailto:clinic@bapam.org.uk\">clinic@bapam.org.uk<\/a> or visit their website at <a href=\"http:\/\/www.bapam.org.uk\/\"> www.bapam.org.uk.<\/a><\/p>\n<h5 style=\"text-align: right;\">(Originally published in <em>Equity <\/em>magazine, Spring 2010. \u00a9 Equity)<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>His acting career had barely begun when it was cut short by stage fright, but you don&#8217;t have to be a victim of terror, Martin McGrath looks at what can you do to fight back and how you can get help.<\/p>\n","protected":false},"author":3,"featured_media":602,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[12,8],"tags":[83,5],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/www.mmcgrath.co.uk\/wp-content\/uploads\/2011\/02\/stagefright1.gif","jetpack_shortlink":"https:\/\/wp.me\/p27AP7-7i","_links":{"self":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/452"}],"collection":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=452"}],"version-history":[{"count":9,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/452\/revisions"}],"predecessor-version":[{"id":1688,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/452\/revisions\/1688"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/media\/602"}],"wp:attachment":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=452"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}