{"id":2407,"date":"2012-12-20T17:36:03","date_gmt":"2012-12-20T16:36:03","guid":{"rendered":"http:\/\/www.mmcgrath.co.uk\/?p=2407"},"modified":"2020-04-22T02:43:29","modified_gmt":"2020-04-22T01:43:29","slug":"doing-something-stupid-responding-to-a-review","status":"publish","type":"post","link":"http:\/\/www.mmcgrath.co.uk\/?p=2407","title":{"rendered":"DOING SOMETHING STUPID: RESPONDING TO A REVIEW"},"content":{"rendered":"

Dan Hartland has posted a review of Rocket Science<\/i>, the anthology edited by Ian Sales, and he has commented on my story \u201cPathfinders\u201d. [I\u2019ve always loved Elvis Costello\u2019s version of \u201cDon\u2019t Let Me Be Misunderstood<\/a>\u201d \u2013 please hum along as you read this post.]<\/p>\n

For instance, Martin McGrath’s “Pathfinders” returns us again to Mars, and again to an international team of scientists. As in “A Biosphere Ends,” a catastrophe leads to intense political fallings-out: “The Russians hugged one wall, the Americans the other. The Europeans sat at the table. No one spoke” (p. 101). Meanwhile, China is elsewhere, seeking to outdo the rest of the world. There’s something in McGrath’s admittedly tense and well-turned tale, however, which speaks to a weird lack of inclusivity in Rocket Science<\/cite>: not only is China’s emergence as a power in the space game routinely depicted as something to be feared, but space travel is still largely seen as the province of square-jawed men. McGrath attempts to allow space for queer voices\u2014his main character, Chen, is conducting a homosexual affair with one of the Americans\u2014but even this takes place in light of the fact that “Brad was married with children and neither of them had ever pretended that the relationship had a life beyond the mission” (p. 93). Needless to say, things do not end well for the lovers. There is a real clumsiness about McGrath’s efforts which are very much embedded in a broader set of assumptions evinced at almost every stage of Rocket Science<\/cite>, from its characters to its roster of writers, only five out of twenty-two of whom, for example, are women.<\/p>\n

Dan Hartland
\nStrange Horizons<\/a><\/p><\/blockquote>\n

Never respond to reviews. That\u2019s the rule isn\u2019t it? Never respond to reviews.<\/i> This is particularly difficult when the reviewer seems to miss the point of your story, even at the most basic level: in this case \u201cPathfinders\u201d is not set on Mars, it is set on Earth \u2013 Antarctica, to be precise (to be fair, there is some deliberate misdirection in the early part of the story and Hartland isn’t the only reader whose missed the switch – so it must be partly my fault). More fundamentally, though, it is frustrating when the reviewer assigns attitudes or views to you or your story that are the opposite to those you hoped to get across.<\/p>\n

So, sod the rule. I\u2019m going to respond to the review. Or, at least, I want to reflect on it a bit.<\/p>\n

A while ago, in an editorial for Focus<\/i> about getting reviews, I wrote:<\/p>\n

First, never explain your story. Stories are a bit like jokes, if you have to tell someone why a joke is funny then either: (a) the joke wasn\u2019t funny to begin with; (b) you\u2019ve made a mess of telling it; or (c) the person you are telling the joke to doesn\u2019t share your sense of humour and you are wasting your time.<\/p><\/blockquote>\n

I\u2019m going to break that rule too. But only so I can make a point. Here\u2019s my view of what \u201cPathfinders\u201d is about:<\/p>\n

\u201cPathfinders\u201d was an attempt to write a story that said that the mythologies we\u2019ve constructed around the \u201cspace race\u201d \u2013 with all those big, brave, heterosexual, \u201csquare-jawed men\u201d setting off to conquer the solar system and plant flags on every moonlet \u2013 no longer (if they ever did) make sense. All the space-related stuff in the story turns out to be a fake; they aren\u2019t on Mars; the mission is without purpose; the dreams of the astronauts and cosmonauts about grand off-world adventures could never be fulfilled; they\u2019ve been living in a cave, staring at shadows. The whole thing was a colossal waste of time.<\/p>\n

I thought I\u2019d written a story about the essential futility of science fiction\u2019s traditional vision of space exploration. What\u2019s the point of all this \u201cright stuff\u201d machismo while the rest of the world is falling apart?<\/p>\n

That Dan Hartland takes the exact opposite lesson from the story is deeply frustrating. But that\u2019s the problem with writing, you can have no control over how someone else reads your story. And, if you follow people around and scream: \u201cYOU\u2019RE READING IT WRONG!\u201d someone is eventually going to take out a court order. Indeed, once the story is out there, you have to concede that other interpretations of your story have as much weight and value as your own.<\/p>\n

The sensible reader, and writer, might also take from this that I didn\u2019t do a particularly good job with the story. I\u2019m happy (well, not exactly happy<\/i> \u2013 resigned<\/em>) to accept that. I am aware that my writing has plenty of shortcomings. So, I can grumble all I want, but no amount of grumbling will change the obvious point that I have failed to communicate my thoughts effectively.<\/p>\n

So, I\u2019ll try and concentrate on the good bit: \u201cPathfinders\u201d is an \u201cadmittedly tense and well-turned tale\u201d and try not to grind my teeth too much about the the suggestion that somehow my portrayal of a homosexual relationship in which one man, in a public position, hides his sexuality behind the \u201crespectable\u201d front of marriage to a woman isn\u2019t quite<\/i> homosexual enough.This was deliberate, not clumsy. After strapping over 300 men and women on top of rockets, NASA has never sent an “out” gay person into space and no one really expects that to change soon. Neither have ESA or Roscosmos. That has to have caused distress to those with ambitions to fly but who can’t be open about who they really are.<\/p>\n

It is good to get reviewed. It\u2019s even better to get reviewed in a magazine like Strange Horizons<\/i>, which takes the job so seriously. It is, for me, always much better for a story to be talked about \u2013 even if that involves criticism that is painful \u2013 than to be ignored. Conscientious reviewing is a tough job that requires commitment and hard work and, as a writer, you can learn something from every review. And I am aware that there are plenty of authors out there whose work I\u2019ve reviewed who would argue that I have completely misunderstood and misrepresented their intentions. They can chortle happily to themselves now.<\/p>\n

So, even though I\u2019d disagree with the way in which Dan Hartland has characterized my story, this is not a complaint about the review.<\/p>\n

It is, however, an expression of my frustration at my failure to successfully get my point across.<\/p>\n

 <\/p>\n

An Aside on China<\/h3>\n

Dan\u2019s comment on the place of the Chinese in modern SF is interesting. There\u2019s a long history of \u201cyellow peril\u201d stories that place the Chinese and Japanese (and sometimes Koreans \u2013 are there Thai or Vietnamese equivalents? I presume so\u2026) in the place of the ominous, deeply-foreign, implacable threat to \u201cthe West\u201d and \u201ccivilization\u201d. And, since the fall of the USSR and the emergence of China as a global economic power, more and more sf stories have simply filed off the serial numbers on the threats that used to be presented by the Soviets and replaced them with Chinese logograms.<\/p>\n

So, should I have included the Chinese?<\/p>\n

Actually, the first draft of this story did feature a Chinese team as part of the crew but it didn\u2019t work dramatically. Some of the origins of this story are set out here<\/a> \u2013 but basically, following a BFI lecture by Simon Ings, I was thinking about the fundamental difference between Russia and America\u2019s historical experiences of territorial expansion and, by extension, to their approaches to space exploration. With those two extremes set out, I created for my story a multinational team made up of Russians, Americans, Indians, Chinese and Europeans. But, as things fell apart in the story, and I separated the crew along the Russian and American fault line, there were too many people in the middle. So, I made the decision to cut the Chinese team for crudely practical purposes. \u00a0They do survive as a strong echo in the story, however. The central character, Chen, went from being a taikonaut to an Italian-born, ethnically Chinese EU citizen.<\/p>\n

In a later draft I did add the idea that the Russian commander believed that Russia and America might put him on a one-way, suicide mission to Mars to spite China (it\u2019s mentioned once) \u2013 but, as I\u2019ve said, all the space-related stuff in this story is meant to be a lie. It\u2019s just another story Arsenyev has told himself to justify his continued attachment to the old order.<\/p>\n

I suppose my choices (I could have cut the EU team and left the taikonauts in place) reflect a Western bias\u2026 I am less confident about my ability to write convincingly about China and Chinese people and I probably chose the path of least resistance. I don\u2019t, however, think that I was making a crude political point \u2013 in fact, I\u2019m certain I wasn\u2019t \u2013 but it is something I\u2019ll think carefully about.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dan Hartland has posted a review of Rocket Science, the anthology edited by Ian Sales, and he has commented on my story \u201cPathfinders\u201d. [I\u2019ve always loved Elvis Costello\u2019s version of \u201cDon\u2019t Let Me Be Misunderstood\u201d \u2013 please hum along as you read this post.] For instance, Martin McGrath’s “Pathfinders” returns us again to Mars, and […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[20,67],"tags":[70,35],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p27AP7-CP","_links":{"self":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2407"}],"collection":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2407"}],"version-history":[{"count":3,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2407\/revisions"}],"predecessor-version":[{"id":2596,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2407\/revisions\/2596"}],"wp:attachment":[{"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2407"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mmcgrath.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}