Coming back from holiday gave a chance to catch up on three episodes of Doctor Who – and it was absolute treat.
The last part of Paul Cornell’s excellent “Family” two-parter managed to combine an excellently scary foe (those scarecrows were classic Who) with a poignant story that managed to bring something new to the Doctor. I didn’t quite buy the Kiplingesque “King and country despite it all” stuff – but I did think it worked well within the story. And then the ending… I like the Doctor most when his alien side shows, and the cold cruelty of the way the Doctor finally dispatches his enemies, was superbly handled.
Then there was “Blink” Stephen Moffat’s absolutely fantastic stand-alone story that managed to make an absolute virtue of being a small budget piece using relatively limited resources to deliver what must be amongst the best single episodes of television science fiction ever committed to tape. Moffat just gets Doctor Who – the mix of scariness, sentimentality and humour was spot on. The sequence where the male character had to try and keep staring at the statues was excellent, the tricking of the statues into trapping themselves, and the neat resolution of the story’s hanging threads all really worked and added up to a fine forty-five minutes entertainment.
Finally this weekends “Utopia”- without a shadow of a doubt the best episode of Doctor Who that Russell T Davies has so far written, a frantic and thrilling piece of misdirection that delivered a twist in the final third that left me with an enormous grin on my face. The only downside is that now Derek Jacobi and John Simm will never be able to play the Doctor.
And it proved that at lease somewhere in the heart of the Doctor Who crew there are still those that recognise that there is scope for Captain Jack to be an exciting, charismatic, roguish character – not the dull, slightly spoddy, authority figure that they’ve made him in Torchwood.
I’ve heard people grumble about this series of Doctor Who. Personally the Daleks in New York two-parter didn’t work for me (not least because I thought they threw away the chance to make some interesting historical points and the human-dalek thing was just silly) and the “Lazarus Experiment” was too knowingly smug – Mark Gatiss just annoys me – but I liked the first three episodes (especially the genuinely funny “The Shakespeare Code”) and the last five (from “42” onwards) have been golden. That’s a pretty high strike rate for any show.
Now if they can just carry us through to the finale with a bang then this might be a classic Who season – the best of New Who (Nu Hu! yuk!) certainly. And up there with the glory days of Douglas Adams, perhaps?