Tag: films

  • THE NIGHT CALLER FROM OUTER SPACE

    THE NIGHT CALLER FROM OUTER SPACE

    The Night Caller From Outer Space (1965) AKA Blood Beast From Outer Space proves that not just American girls are threatened by the lustful advances of alien beasts. Martin McGrath leaves humming the theme tune, over and over and over…

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  • THE MOUSE THAT ROARED

    THE MOUSE THAT ROARED

    If you are going to build an enormously destructive weapon, then please follow the rules laid out in The Mouse That Roared. Make it warble alarmingly when it moves, place an alarm clock inside it to scare people and make it small enough to throw around a papier-mâché dungeon.

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  • THE LOST WORLD

    THE LOST WORLD

    Adventure! Mysterious lands! Dinosaurs! Huge, impressive beards! The Lost World might be nearly 80 years old, but this movie has it all. It even has Arthur Conan Doyle. And he’s typing!

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  • 20 MILLION MILES FROM EARTH

    20 MILLION MILES FROM EARTH

    20 Million Miles From Earth (1957) would be just one more instantly forgettable 50s b-movie if it wasn’t for the wonderfully engaging model work of special effects genius, Harry Harryhausen.

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  • IN THE SHADOW OF THE MOON

    IN THE SHADOW OF THE MOON

    For the first time, watching In The Shadow Of The Moon, I came to understand why some people are so convinced that the Apollo landings were a giant hoax. Looking back on it from our more fearful times the whole Apollo project seems like an impossible dream. We have moved so far from the mindset […]

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  • THE SCIENCE OF SLEEP

    THE SCIENCE OF SLEEP

    One of the most common criticisms I’ve heard levelled against The Science of Sleep is that it is a “slight” film – that in it simplicity, wit and even innocence, somehow Michel Gondry’s new film fails to be serious enough. It isn’t intellectual. It isn’t grown-up.

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  • APOCALYPTO

    APOCALYPTO

    I have a feeling that if I knew anything at all about the Mayan people that I would probably be deeply, deeply annoyed by Mel Gibson’s Apocalypto. It has the feeling of authenticity – from the idyllic jungle village to the fantastically realised city through to the subtitled language – there has been a great […]

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  • PAN’S LABYRINTH

    PAN’S LABYRINTH

    Pan’s Labyrinth is a visually stunning film. The extraordinary imaginations of director del Toro and cinematographer Navarro have created a truly spectacular fantasy land full of images that will live with the viewer long after they have left the cinema. But there is far more on offer here than eye candy. As well as being […]

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  • THE PRESTIGE

    THE PRESTIGE

    One of the major themes running through Christopher Nolan’s adaptation of The Prestige is that many things in life (magic tricks, rivalry, love) retain their appeal only so long as there remains mystery about their inner workings. Knowing the secret of a trick renders it mundane.

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  • WARS OF THE WORLD

    WARS OF THE WORLD

    Typical, isn’t it? You wait nearly fifty years for another movie adaptation of The War of the Worlds, and then three turn up at once. This year has seen the release of two straight-to-DVD versions of the story, The War of the Worlds (Pendragon Productions/Timothy Hines) and HG Wells’ War of the Worlds (The Asylum/David […]

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